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Devyn Ormsby's meticulously detailed glass fruit sculptures emerge from a rich cultural lineage. An Indigenous artist from Masterton, New Zealand, her work draws from her Nga Puhi, Ngati Ranginui, Te Arawa, and Ngati Kahungunu heritage to explore identity and form. Since her 2019 debut following studies at Elam School of Fine Arts, Ormsby's pieces have captured international attention, appearing in Architectural Digest, Elle Decoration, and Vogue. From her Auckland studio, she continues crafting works that transform the familiar into the extraordinary.

Owen Dunton Ellerkamp is a self-taught jewelry designer whose pieces reinterpret traditional design through ancient processes that begin, quite simply, with a block of wax. Working from his Brooklyn studio, each piece is meticulously hand-carved before being transformed into solid silver or gold using lost wax casting—a technique unchanged since 4000 BCE. The studio's distinctive finishing process, involving careful tumbling, sanding, and filing, creates a unique textured skin that speaks to both the hand of the maker and the quiet beauty of New England that inspires his work. This dedication to enduring craftsmanship and material integrity results in pieces that transcend trends, designed to be passed through generations.

Jeffrey M. Andrews founded Felt Glass in 1990 in a sunlit warehouse near the beach in Santa Cruz, creating tactile, sculptural glasswork. A VCU design graduate and Fulbright nominee, Jeffrey previously apprenticed with Don Shepherd, designing interiors and furniture for clients including Herman Miller. Felt Glass pieces have been carried by Barneys, Neiman Marcus, and museum stores like the Guggenheim. Now based in California, Jeffrey continues his studio practice while also composing and producing original music for film and television.